With the increasing popularity of DNA evidence in the courtroom, scientific research involving this molecule has tremendously affected both the medical and legal professions. Perhaps one of the most diversely applicable scientific ideas in the 21st century, the DNA double helix celebrates its 50th anniversary this year. Much has been learned about this amazing molecule since 1953 but there remain many questions about its role in biological functions. With numerous years of experience in DNA-related research, Professor Hatcher-Skeers will highlight the significant findings of the past 50 years and describe some of the exciting research being done today.
Associate Professor in the joint Science Department and Clare Booth Luce Chair of Chemistry, Hatcher-Skeers earned her Ph.D. in Physical Chemistry from the University of Washington in 1996. She was an NIH Postdoctoral Fellow at MIT and Brandeis from 1996-1998. Hatcher-Skeers has been awarded numerous honors for both teaching and research since joining the Claremont faculty in 1998. She is currently working on a project called "DNA Structure and Dynamics in BanHI-DNA Interactions" with a generous grant from the National Institute of Health.
Her research about life and human genomes extends well beyond the classroom as Professor Hatcher-Skeers is a mother expecting her second child in December.
KEVIN FITZ-GERALD, piano
Highlights of past seasons have included a performance of the Brahms Sextet in G Major with ltzhak Perlman; a recording of all the violin solos for the original silent film, "The Scarlet Letter" (Turner Classics); a twenty-eight concert tour of Brazil and two performances at the Ath in 1999 and 2002. An active collaborator, Ms. Buck is a member of the critically acclaimed "Lark String Quartet".
Ms. Buck has recorded numerous new works on the North South label and is currently on faculty at the Kinhaven Music School in Wesson, Vermont. She received a Bachelor of Music degree from the Juilliard School, where she was a Starling Scholarship Student of Dorothy Delay. Her Master of Music degree is from the University of Southern California, where she was as a student of Robert Lipsett, and recipient of the 1996 Jascha Heifetz Violin Prize.
Kevin Fitz-Gerald, professor of piano and collaborative arts at the USC Thornton School of Music, Los Angeles, will join Deborah Buck for this evening's recital. He also enjoys a versatile performing career as recitalist, orchestra soloist, and chamber musician. Fitz-Gerald's concert tours and performances have taken place in such notable venues as Carnegie Recital Hall, New York; National Arts Center, Ottowa; Suntori Hall, Tokyo; and frequent recordings for CBC, NPR, KUSC, and K-Mozart radio networks. Born in British Columbia, Mr. Fitz-Gerald studied at the Victoria Conservatory of Music, the Banff School of Fine Arts, and the Royal Conservatory of Music in Toronto.
Deborah Buck and Kevin Fitz-Gerald will perform Beethoven's Piano and Violin Sonata in G Major, No. 8, Poulenc's sonata for Violin and Piano, and Tchaikovsky's "Waltz-Scherzo."
Please join your friends at the Athenaeum for this splendid opening concert.
-Ron Powers, CBS-TV
David Broder, national political correspondent for The Washington Post, also writes a twice-weekly column, syndicated by The Washington Post Writers Group, that is carried by more than 300 newspapers across the globe.
In 1990 a survey by Washingtonian magazine of the opinion-page editors of the largest 200 newspapers rated Broder as "Best Reporter," "Hardest Working," and "Least Ideological" among some 123 columnists. In March 2001 the magazine rated Broder among the top four best and most influential journalists, calling him "the most unpredictable, reliable and intellectually honest columnist working today," adding "no one gets a better sense of the pulse of American opinion."
Broder was awarded the Pulitzer Prize in May 1973 for distinguished commentary. Other awards, include the prestigious 4th Estate Award from the National Press Foundation and the National Society of Newspaper Columnists Lifetime Achievement Award.
Before joining the Post in 1966, Broder covered national politics for The New York Times, The Washington Star and Congressional Quarterly. He has covered every national campaign and convention since 1960.
Broder is a regular commentator on CNN's "Inside Politics" and makes regular appearances on NBC's "Meet the Press" and "Washington Week in Review." He is author or coauthor of seven books including: Democracy Derailed: Initiative Campaigns and the Power of Money (Harcourt, 2000) and Changing of the Guard: Power and Leadership in America (Simon & Schuster, 1980 and Penguin, 1981).
Broder received his bachelor's degree and an M.A. in political science from the University of Chicago, served two years in the U.S. Army, and began his newspaper career at the Bloomington (Ill.) Pantagraph. He has been a Fellow of the Institute of Politics of the John F. Kennedy School of Government at Harvard University and a Fellow of the Institute of Policy Sciences and Public Affairs at Duke University.
JENNY BINDEL '04
SARAH RICE '04
JOHN MEANY, moderator
This program will feature an excerpt from the documentary film, "Point of Order" (1963), a review of the 1954 Army-McCarthy hearings, a landmark event in American media politics and the first nationally televised Congressional investigation.
After the film, there will be a moderated panel discussion with audience participation. The panel will feature James Walsh and the award-winning students of The Claremont Colleges Debate Union (CCDU). Walsh is executive director of Harvard University's Managing the Atom project at the Belfer Center for Science and International Affairs, and founder and chair of the Harvard International Working Group on Radiological Weapons. An expert in terrorism, the production of weapons of mass destruction, security studies, and civil liberty issues, Walsh has testified before the United Stares Senate on the issue of nuclear terrorists and served as an expert witness in federal deportation litigation. He has appeared on a variety of television and radio programs, from the BBC, NPR, and CNN to MTV. Walsh's writings have appeared in scholarly journals and editorial pages, including the The New York Times, The Washington Post, the Los Angeles Times, and the Times of London.
The 5-college CCDU is the nation's premiere college debating society, winning scores of awards annually in national and international competition in addition to public debate and educational outreach honors.
John Meany, director of the successful Claremont Colleges Debate Union since 1987, will moderate the panel discussion.
John Dovidio is a professor of psychology at Colgate University, where he also serves as interim provost and dean of the faculty. Dovidio's research focuses on issues in stereotyping, prejudice, and discrimination; social power and nonverbal communication; and altruists and helping. He has published more than 100 books, articles, and book chapters on these topics; he has recently contributed a chapter, "On the nature of contemporary prejudices: the causes, consequences and challenges of aversive racism" to a book on the problems and response to racism. He is editor-elect of the Journal of Personality and Social Psychology-Interpersonal Relations and Group Processes.
Dovidio received his A.B. from Dartmouth College and his M.A. and Ph.D. degrees from the University of Delaware. In 1985 and 1998 he shared the Gordon Allport Intergroup Relations Prize with Samuel L. Gaertner for their work on aversive racism and ways to reduce bias; in 2000 he won the prize with Kerry Kawakami for their research on reducing spontaneous stereotyping. He has presented to the Panel for the President's Initiative on Race and has worked as a consultant for the Department of Defense, the Air Force, and the New York Senate on race and bias issues.
Other postings have included Watch Officer in the State Department Operations Center, Economic Officer in the U.S. Embassy in Kuwait, and Vice Consul and Political Officer in the Embassy in Athens.
Before being commissioned into the Foreign Service in 1994, Kelsey served in the U.S. Army, commanding a company, and was deployed to Operation Desert Storm. He was awarded the Bronze Star Medal for his service in the first Iraq war.
Kelsey has had an extremely successful career in one of the most competitive and demanding arenas of public service. We are pleased to welcome him back to CMC where he will lead a timely discussion about current U.S-German relations. This talk should provide important insights into the differing views of the Iraq War, international relations, and relations with Germany, an historic and vitally important ally.
Tom Kelsey will also meet separately with students who are interested in careers in the Foreign Service. Please check with the Career Services Center for further information on this session.
Kushner's work is marked by fierce political conviction and extraordinary dramatic resourcefulness. A political play in the tradition of Bertolt Brecht-whose work Kushner has adapted into English -Angels in America equals the commitment and adventurousness of Brechtian drama with none of the shrillness. His subsequent work has been both remarkably prescient and dauntlessly theatrical: Slavs (1995) concerns the breakdown of the Soviet republic, and Homebody/Kabul (2000) was treating political crises in Afghanistan well before the Taliban was known to most Americans. Like Kushner's earlier work, both plays deal with the necessity of moral choice in periods of political turmoil -which is to say, almost always- and they derive from a very distinctive aesthetic. "You have to be interesting and you have to be daring and you have to be willing to write things that shock," says Kushner. "Shock is part of art. Art that's polite is not much fun."
Kushner remains one of the most active figures in modern American theater. A new version of Homebody/Kabul will open in Chicago and Los Angeles in the coming months, and a film version is being directed by Mira Nair. Meanwhile, a miniseries based on Angels in America premieres on HBO this Fall, and Kushner continues to work with author and illustrator Maurice Sendak, a collaboration that resulted most recently in the acclaimed children's opera Brundibar (2003). We are delighted to welcome him to the Athenaeum in conjunction with the Gould Center Seminar on Gay and Lesbian writers of the 20th Century.
James Morrison, associate professor of literature and film studies at CMC, will conduct the onstage interview with Tony Kushner.
Seating for the program is on a first-come basis, with overflow viewing in McKenna Auditorium.
Taylor Mali will perform original pieces from his newest CD, Conviction (2003), as well as two previously released CD's entitled Poems from the Like Free Zone (2000) and The Difference Between Left and Wrong (1995). In addition to being a poet and teacher, Mali penned the book, What Learning Leaves (Hanover Press, 2002). The actor has also graced the eternal stage in two 1998 films: Slam, the Sundance Film Festival winner, and Paul Devin's documentary SlamNation. The slam poet recently showcased his new one-man show, Teacher Teacher (2000) for NBC after performing numerous times on HBO's Def Poetry Jam.
Described as "a ranting comic showman and literary provocateur . . ." by the New York Times, Taylor Mali's appearance at the Athenaeum will be an unforgettable event.
Mali's performance is jointly sponsored by the Dean of Students Office and the Marian Miner Cook Athenaeum.
EVERARDO CHAVEZ, film and performing arts producer
ERNESTO FUNDORA, film and video director, screenwriter
ALEJANDRIO RIOS, drama and literary critic, essayist
Twentieth-century history has amply demonstrated that genius finds ways to prosper in even the most authoritarian, repressive, and isolationist of regimes. Such has been the case with Cuban cinema, which has emerged as a prevailing force in the collective memory of the Cuban people. For more than 40 years, master filmmakers like Tomas Gutierrez Alea (whose studies in Rome imbued his and others' work with the influence of Italian neorealism), Santiago Alvarez, Sara Gomez, and Humberto Solas have celebrated the lives of their fellow islanders by conscientiously and uncompromisingly addressing the domestic, socioeconomic, and political realities of everyday life. With such landmark films as Lucia (1969), Memories of Underdevelopment (1968), The Adventures of Juan Quin Quin (1966), and The First Charge of the Machete (1969), these and other directors established a perspective and a sense of place unique to, and reflective of, the Cuban experience.
This Athenaeum program will feature screenings of excerpts from several contemporary Cuban short films, with a presentation and commentary by prominent film and video directors and critics. These include film and performing arts producer Everardo Chavez, who will serve as program coordinator for this event; critic and film historian Juan Antonio Garcia Borrero, author of Guia critica del cine cubano de ficcion ("A Critical Guide to Cuban Fiction Cinema") La edad de la herejia ("The Age of Heresy"), and Rehenes de la sombra ("Hostages of Shadows"); film and video director, screenwriter, and Latin Grammy nominee Ernesto Fundora; and drama and literary critic and essayist Alejandro Rios. This event, coordinated by Professors Esther Hernandez and Mercedes Limon, is sponsored by the Gould Center for Humanistic Studies.
I urge you to read the Fortnightly with care. While celebrating our anniversary you will notice that we are also recognizing other significant landmarks. It has been fifty years since the McCarthy hearings, Brown vs. Board of Education, the execution of Julius and Ethel Rosenberg, the end of the Korean War, and the discovery of the DNA double helix. You will find lectures and discussions about such diverse topics as election politics, the First Amendment, economics, personal and public health, conflict resolution, ethical leadership, perspectives on the Holocaust, gay and lesbian writers of the 20th century, and the environment in crisis. Not wishing to slight the arts, you will have the opportunity to meet world-class musicians, poets, and writers.
There are two ways to reserve space at the meal preceding each program. You may fill out the reservation form on the last page of the Fortnightly and deposit it in the box in the Athenaeum lobby, or simply reserve online at www.claremontmckenna.edu/mmca. Reservations are not required if you prefer to attend just the program that begins at 6:45 p.m. CMC students may also sign up to sit with distinguished guests during dinner. Sign up sheets for the head table are in the office.
The Athenaeum was created to enrich the lives of everyone in this college community. The entire staff extends a very warm welcome to you all.
APRIL WILSON '04
April Wilson is an International Relations and Spanish dual major entering her final year here at CMC. Originally from Seattle, she enjoys outdoor activities such as hiking, soccer, tennis, and going to the beach. When she is not chatting at the Athenaeum, you will find April planning projects at the Community Service Office, working as ESL-tutoring director, or dancing around her apartment to 80's music. This member of the class of 2004 enjoys singing at Intervarsity activities and eating food at I-Place with cool people from around the world. In the spring, you can find her on the stage in CMC Musical Theater and dancing Flamenco at the International Festival . . . until then, she asks that you please come meet her at the Athenaeum to enjoy delicious food, great company, and incredible speakers.