Bei Dao is one of the most gifted writers in modern China, and his poetry, essays, and fiction have animated and inspired the Chinese pro-democracy movement. Born in Beijing in 1949, Bei Dao spent his teenage years participating in the Cultural Revolution as a member of the Red Guards. He later became disillusioned with the violence and restrictions of the Revolution, and in 1978 he co-founded Jintian (Today), the first unofficial literary journal since 1949. Until it was banned in 1980, Jintian was a prominent forum for the Misty Poets, a group opposed by the Communist literary establishment for their use of obscure language and their departure from socialist realism. As the most notable representative of the Misty Poets, Bei Daos poetry also played an important role as a source of rhetoric and language for the pro-democracy demonstrations in Tiananmen in 1976 and 1989.
Since the late 1980s, Bei Dao has been living in exile, teaching in several European countries as well as the United States. His poetry has been translated in some twenty-five languages around the world, including several volumes of poetry, stories, and essays in English: Unlock (2000), Landscape Over Zero (1996), Forms of Distance (1994), Old Snow (1992), The August Sleepwalker (1990), Waves (1990), Midnight's Gate (2005) and Blue House (2000). His impressive literary production has been accompanied by international acclaim, including the the Tucholsky Prize from Swedish PEN (1990) and an honorary membership of the American Academy of Arts and Letters. Bei Daos writings offer a window into the soul of modern China, depicting intimacy, love, and friendship in a society where trust can literally be a matter of life and death.
Bei Daos visit to the Athenaeum is sponsored by the Gould Center for Humanistic Studies at CMC.