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Mario Martelli, professor of mathematics, CMC; author, Discrete Dynamical Systems and Chaos (1992) and co-author, Topological Methods for Ordinary Differential Equations (1991); "The Secret (and Mystery) of Brunelleschi…

Michael Eric Dyson, professor of religious studies, DePaul University; author, I May Not Get There With You: The True Martin Luther King, Jr. (2000) and Between God and Gangsta Rap: Bearing Witness to Black Culture (199…

Deborah Buck, violin; Robert Thies, piano; gold medal winner (1995), Second International Sergei Prokofiev Competition, St. Petersburg, Russia; "Beethoven Sonata in F Major, No. 5 "Spring" and Prokofiev Sonata No. 2 in…

Diane Halpern, professor of psychology, director, Berger Institute for Work, Family, and Children, CMC; author, Thought and Knowledge: An Introduction to Critical Thinking (1995) and "Sex Differences in Cognitive Abilit…

Aaron McGruder, cartoonist, creator of the comic strip The Boondocks; author, Boondocks Collection (2001) and The Boondocks: Because I Know You Don't Read the Newspaper (2000), "What's the Color of Funny: Race, Society,…

Claudia Black, founder, past chairperson, National Association for Children of Alcoholics; author, It's Never Too Late to Have A Happy Childhood: Inspirations for Adult Children (1989) and It Will Never Happen to Me (19…

Charlayne Hunter-Gault, African bureau chief and correspondent, CNN; author, In My Place (1992), "'New' News From Africa"

Billy Harper, tenor saxophone; Tim Hagans, trumpet; Ray Drummond '68, bass; Mark Masters, conductor, American Jazz Institute big band; Joe LaBarbera, drums; Dave Woodley, trombone; Gary Smulyan, baritone saxophone; Ceci…

Robert Gellately, Strassler professor of Holocaust history, Clark University; author, Backing Hitler: Consent and Coercion in Nazi Germany (2001) and The Gestapo and German Society: Enforcing Radical Policy, 1933-1945 (…

John Singleton, film director, Baby Boy (2001), Shaft (2000), Higher Learning (1995), Poetic Justice (1993), Boyz N the Hood (1991); "The World According to John Singleton: Film and Society"