Artists Under Hitler: Collaboration and Survival in Nazi Germany (New Haven/London: Yale University Press, 2014).
Royals and the Reich: The Princes von Hessen in Nazi Germany (New York/London: Oxford University Press, 2006)
The Faustian Bargain: The Art World in Nazi Germany (New York: Oxford University Press, 2000)
Art as Politics in the Third Reich (Chapel Hill: University of North Carolina Press, 1996)
Co-editor with John Roth, Gray Zones: Ambiguity and Compromise During and After the Holocaust (New York/Oxford: Berghahn Press, 2005).
Co-editor with John Roth and Lynn Rapaport, Lessons and Legacies IX. Memory, History, and Responsibility: Reassessments of the Holocaust, Implications for the Future ( Evanston: Northwestern University Press, 2010).
"For Sale: A Troubled Legacy," in ARTnews (June 2001), 114-20
"Kunstraub: Warum es wichtig ist, die Biographien der Kunstsachverstaendigen im Dritten Reich zu verstehen," in Dieter Stiefel, ed., Die Politische Oekonomie des Holocaust (Vienna: Querschnitt, 2001).
"Exposing Deep Files," in ARTnews 98/1 (Jan. 1999), 143-44.
"Holocaust Denial: A Generational Typology," in Peter Hayes, ed., Lessons and Legacies of the Holocaust: Memory, Memorialization, and Denial (Evanston, IL: Northwestern University Press, 1998), 239-47.
"Business as Usual: Switzerland, the Commerce in Artworks during and After World War II, and National Identity," in Contemporary Austrian Studies VII (1998), 229-42.
Co-editor with Scott Denham (Davidson) and Irene Kacandes (Dartmouth), A User's Guide to German Cultural Studies (Ann Arbor: University of Michigan Press, 1997)
Editorial Board Member for Elizabeth Simpson, ed., The Spoils of War: The Loss, Reappearance, and Recovery of Cultural Property During and After World War II (New York: Harry Abrams, 1997)
"German Laws and Directives Bearing on the Appropriation of Cultural Property in the Third Reich," in Elizabeth Simpson, ed., The Spoils of War: The Loss, Reappearance, and Recovery of Cultural Property During and After World War II (New York: Harry Abrams, 1996), 106-111.
"The Primacy of Kulturpolitik: Tolerance, Hegemony, and Subsumption in Interwar Austria as a Background to the Artist in Exile," in John Czaplicka, ed., Emigrants and Exiles: A Lost Generation of Austrian Artists in America, 1920-1950 (Vienna/New York: Oesterreichische Galerie, 1996), 71-100.