The Future Is Implausible: Why Science Fiction Always Gets the Future Wrong (And Why That’s a Good Thing)
Ken Liu
Ken Liu is an American author of speculative fiction. A winner of the Nebula, Hugo, and World Fantasy awards for his fiction, he has also won top genre honors in Japan, Spain, and France.
Liu’s most characteristic work is the four-volume epic fantasy series, The Dandelion Dynasty, in which engineers, not wizards, are the heroes of a silkpunk world on the verge of modernity. His debut collection of short fiction, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. A second collection, The Hidden Girl and Other Stories, followed. He also penned the Star Wars novel, The Legends of Luke Skywalker. His latest book, All That We See or Seem, is a techno-thriller about the fight against loneliness in the age of AI.
He’s often involved in media adaptations of his work. Recent projects include The Regular, under development as a TV series; Good Hunting, adapted as an episode in season one of Netflix’s breakout adult animated series Love, Death + Robots; and AMC’s Pantheon, adapted from an interconnected series of Liu’s short stories.
Prior to becoming a full-time writer, Liu worked as a software engineer, corporate lawyer, and litigation consultant. He frequently speaks at conferences and universities on a variety of topics, including futurism, machine-augmented creativity, history of technology, bookmaking, and the mathematics of origami.
Mr. Liu is the Gould Center for Humanistic Studies' 2025-26 Ricardo J. Quinones Lecturer.
Photo credit: Lisa Tang Liu
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