Marian Miner Cook
Athenaeum

A distinctive
feature of social and
cultural life at CMC

 

Students, Faculty, and Staff: 
Please sign up using the “Register for this event” button. This will register you for the reception and meal. 

Alumni and Parents:
Please visit the alumni and parent engagement website to register. 

 

Mon, November 3, 2025
Dinner Program
Hannah Chazin

Milk is ubiquitous in our lives—in our coffee cups, cereal bowls, refrigerators, grocery stores, and ads. Modern milk is a story about technology, industrialization, science, and culture and drinking milk is tangled up in contemporary debates about what we should eat and how we should treat non-human animals. Hannah Chazin, assistant professor of anthropology at Columbia University and the author of Live Stock and Dead Things, will discuss what we can learn from a case of milk production in the deep past. Bronze Age herders in Armenia went to great lengths to produce milk year-round. But in order to understand this archaeological case study, we have to re-think what we know about milk in our own lives and the stories that we tell about the origins of humans’ relationships with domesticated animals like sheep, goats, and cows.

 

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Hannah Chazin is an archaeologist whose work investigates the history of human-animal relations, and explores how new scientific techniques like isotope analysis and ancient DNA analysis are re-shaping how archaeologists learn about life in the past. 

Currently an assistant professor of anthropology at Columbia University, Chazin’s book, Live Stock and Dead Things, was released in 2024 to critical acclaim. Yannis Hamilakis, professor of archaeology and of modern Greek studies at Brown University, states "We have been waiting for a book like this for many years... this is a rare bird of a book that pays our dues to the mundane beings that lived and labored with and alongside humans, but which were instrumentalized and objectified in scholarship for far too long." 

Chazin's scholarship has appeared in American Anthropologist, American Antiquity, Journal of Anthropological Archaeology, Archaeometry, and the Journal of Field Archaeology. In support of her scholarship, she has received fellowships and grants from the Wenner-Gren Foundation and the Institute for Advanced Study. Previously, she has done archaeological fieldwork in Armenia, Russia, Chile, Cambodia, and the western United States.

Chazin received a Ph.D. in anthropology from the University of Chicago and is currently the co-director of the Karashamb Animals Project, which is exploring, using cutting-edge scientific analyses, the lives of the animals buried in an ancient necropolis in Armenia.

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Tue, November 4, 2025
Dinner Program
Gastón Espinosa

Despite Hip Hop's reputation for drugs, violence, and sacrilegious excess and rebellion, Gastón Espinosa, professor of religious studies at CMC, will offer an analysis  of the disquieted spiritual impulses of revolutionary Hip Hop artists like Tupac, Ice Cube, Kanye West, Lauryn Hill and Kendrick Lamar and how their Post-Soul spiritualities, native spiritual intelligence, and reimagination of religion (e.g., Christian, Muslim, Rastafarian, eclectic) led them to defy – in seemingly contradictory ways – many of mainstream society's secular and religious social taboos and keep alive Martin Luther King Jr, Fanny Lou Hamer, and Malcolm X’s Civil Rights and Black Power movement critiques of anti-Black racism in order to promote racial justice, social change, Black cultural empowerment and a resurgent, if variegated, post-soul spirituality in Black America. This will be done through a multimedia presentation mix of songs, lyrics, and video clips.

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Gastón Enrique Espinosa is the Arthur V. Stoughton Professor of Religious Studies at Claremont McKenna College.  He is a graduate of Princeton (M.Div.), Harvard (M.Ed.), and UC Santa Barbara (Ph.D.) and did postdoctoral work at the UCLA School of Film and Television. 

Espinosa has held visiting fellow appointments at Dartmouth College, NHC National Institute for Advanced Studies, the University of Münster, Germany, and Princeton University. He has directed nine major surveys on Latino religions, politics, and activism from 1998-2022. 

Espinosa is the author or co-author of nine books, fifty refereed articles, book chapters, and reviews, sixty encyclopedia entries, 200 scholarly keynotes and presentations around the world, has made numerous television, radio, and media appearances, and has served as the director of eight major conferences. 

In 2002, he spoke at the National Hispanic Presidential Prayer Breakfast with President George Bush and Senator Joseph Lieberman and he currently is the co-director of the Columbia University Press Series in Religion and Politics.


 

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Wed, November 5, 2025
Dinner Program
Daniel Libeskind

“Without memory we would not know where we are going or who we are—Memory is not a sideline for architecture, it's the fundamental way to orient the mind, the emotions, and the soul.”
—Daniel Libeskind

Daniel Libeskind is an internationally renowned architect and urban designer whose work spans cultural landmarks, museums, commercial institutions, private homes, and object design. Best known for the Jewish Museum Berlin, the Denver Art Museum, and as the master-plan architect for the World Trade Center site in New York City, Libeskind is recognized for creating buildings that resonate far beyond their physical form. His philosophy is rooted in the belief that architecture is infused with human energy and that buildings embody and communicate the cultural context in which they exist. Drawing on his deep engagement with philosophy, literature, art, and music, Libeskind expands the scope of architecture into a multidisciplinary reflection on human experience. In this keynote, he will reflect on how memory, history, and culture shape the built environment. Highlighting projects such as the Jewish Museum Berlin, the Military History Museum in Dresden, and social housing in Brooklyn, Libeskind will explore architecture as both a vessel of memory and a foundation for resilience.

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Polish-American architect Daniel Libeskind is an international figure in architecture and urban design. Informed by a deep commitment to music, philosophy, and literature, Libeskind aims to create architecture that is resonant, original, and sustainable.

Libeskind established his architectural studio, Studio Libeskind, in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum in Berlin. In February 2003, Studio Libeskind moved its headquarters from Berlin to New York City to oversee the master plan for the World Trade Center redevelopment, which is being realized in Lower Manhattan.

Libeskind’s practice is involved in designing and realizing a diverse array of urban, cultural, and commercial projects around the globe. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers, and residential towers. As Principal Design Architect for Studio Libeskind, Libeskind speaks widely on the art of architecture in universities and professional summits. His architecture and ideas have been the subject of many articles and exhibitions, influencing the field of architecture and the development of cities and culture.

Libeskind has won dozens of awards for his work including the Goethe Medal, the Hiroshima Peace Prize, the Dresden Peace Prize, and the European Union Prize for Civil Rights.

Mr. Libeskind's Athenaeum presentation is co-sponsored by the President's Office and the President's Leadership Fund.

Photo credit: Stefan Ruiz

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Thu, November 6, 2025
Dinner Program
Robert Twomey

This performance-lecture (with a robot dog) presents artist and engineer Robert Twomey’s artistic research into the ways we live with, think through, and feel alongside machines. From his dissertation "Machines for Living"—a study of the smart home as an intimate site of technological cohabitation—to recent work on “communing” with creative AI, Twomey explores how emerging technologies shape domestic, perceptual, and emotional life. Central to his practice is the design of introspective technologies: hybrid systems that act as mirrors, surrogates, and partners, producing mutually revelatory encounters between human and machine. Twomey introduces BFF, a new media artwork with Jesse Fleming, in which two artist-researchers co-parent and converse with quadruped robot dogs running local LLMs. Structured as a Batesonian metalogue, BFF stages recursive, embodied dialogue about AI alignment, simulation, and attachment, offering a poetic exploration of machine intimacy at the frontiers of art, AI, and the everyday.

 

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Robert Twomey is an artist and engineer studying the ways we share space with machines—creative, perceptual, emotional—and how emerging technologies transform sites of intimate life. He houses this work in the Machine Cohabitation Lab. His projects have been presented at SIGGRAPH (Best Paper Award), CVPR, NeurIPS, ISEA, and the Museum of Contemporary Art San Diego. He has been an artist-in-residence with Nokia Bell Labs’ Experiments in Art and Technology (E.A.T.), Carnegie Mellon’s STUDIO for Creative Inquiry, and a NYC Media Lab x Bertelsmann fellow. His work has been supported by the National Science Foundation, California Arts Council, Microsoft, Amazon, HP, and NVIDIA. Twomey holds a BS from Yale with majors in Art and Biomedical Engineering, an MFA from UC San Diego, and a PhD from the University of Washington. He is a professor of Computing in the Arts and a researcher with the Arthur C. Clarke Center for Human Imagination at UC San Diego.

Professor Twomey's Athenaeum presentation is the keynote for Third Annual Meeting of the World Imagination Network.

 

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Marian Miner Cook Athenaeum

Claremont McKenna College
385 E. Eighth Street
Claremont, CA 91711